John Jay Gebhardt
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After a career on Wall Street, I decided in 2001 to pursue a career as an artist. My main interest as a painter is to create an image where color sense and brush stroke are ascendant.
My experience in the outdoors is integral to my painting. I like to paint outdoors and I paint wherever I may travel. I like the light in my adoptive Italy. I like the skies in my native New York. Whether painting fig trees and olive groves in Umbria or open fields at Indian Ladder Farm in upstate NY, I am overwhelmed by the desire to construct a landscape and capture the emotional pull the surroundings have on me.
I will return often to the scenery I am painting until the painting is completed.— A year later or two years later even so that I may see the same place again and paint it at the same exact time of year. I know the sky will be the same deep purple. I know the trees will have the same leaves, I know the horses will be grazing as they did when I was there last. When a painting is unfinished it gives me reason to return to a favorite place and to anticipate another beautiful day.
When I paint, I dive into my work unaware of what I will be creating. I engage the canvas with no image in mind–then it gradually emerges and slowly, I find it. This makes painting fun and the result is mostly rewarding. I look for an image where color sense, brush stroke, and an emotional response are paramount. As an artist, I place less attention to the exact rendering of the objects in the composition–But there are also times when I have a picture in my mind I would like to create, in this case I will have considered more the outcome I had hoped to achieve.
I share great appreciation for the masterpieces by these artists;
Titian, Caravaggio, Velasquez, Manet, Cezanne, Matisse, Morandi, Dickenson and Wolf Kahn.